Monthly Archives: September 2013

FLORIAN PICASSO AND KRONOS MGMT ANNOUNCE LAUNCH OF DJ MAG FRANCE

Successful DJ and producer Florian Picasso and his management team at Kronos, have announced today that they will be bringing the DJ Mag franchise to France and
Switzerland starting in October.

This is a great opportunity for France to have a dedicated magazine which is devoted only to dance music and Florian already has received some powerful support on the project from fellow
countrymen, David Guetta and Bob Sinclar.

The plan for the magazine will be to deliver the most upfront news, music and interviews to their readers and to establish DJ France as the go to guide for all things EDM related in France
and Switzerland.

The debut issue is slated for release this October at the conclusion of ADE, and following the announcement of the DJ Mag Top 100 results in Amsterdam.

Florian will contribute to the magazine with editorial, interviews and at large coverage, with the inaugural issue set to feature an in depth interview Florian did with Showtek.

Young vocalists usher an Opera renaissance with Puccini’s Suor Angelica

 

Young vocalists usher an Opera renaissance with Puccini’s Suor Angelica

Subsequent to their debut performance of

Mozart and Wagner Make a Scene, Harbour City Opera returns to execute one of Puccini’s most adventurous compositions, Suor Angelica. Making an impact on the Sydney Opera scene Harbour City Opera are determined to reignite opera’s flare and passion in the hearts of a whole new audience, with some of Australia’s most talented, young vocalists. Held on Wednesday 25 and Thursday 26th  September at the monumental Paddington Uniting Church, this performance depicts the second instalment of Puccini’s triptych of one-act operas. Suor Angelica chronicles the fall, redemption, and final transfiguration of its protagonist, Sister Angelica. Performed by the company’s Director, Sarah Ann Walker, Sister Angelica is forced to take the veil in repentance, following a youthful indiscretion, consequently being consumed by a downward spiral of heartbreak and betrayal. This symbolic symphony illustrates Puccini’s musicodramatic style, with his ability to identify himself with his subject, ensuring each opera has its own distinctive ambience. Recognised as one of the most poignant moments in any of Puccini’s work, Angelica’s aria ‘Senza Mamma’ remains a recital favourite. Music Director, Sharolyn Kimmorley’s support of ‘singers with razor sharp comic timing and killer voices’, as described by Limelight magazine, perfectly compliments this astonishingly beautiful composition.

‘This production of Suor Angelica symbolises exactly what Harbour City Opera stands for, combining extremely talented young artists with the opportunity to develop the audience’s love of opera with performances by these incredibly gifted musician,’ explains Walker. HCO’s hunt for exciting and bizarre locations to perform begins with Suor Angelica’s production at Paddington Uniting Church. Having seen appearances from the likes of John Mayer, Jet and Lady Gaga, this venue enhances their vision to provide opera’s greatest moments, endeavoring to unveil Australia’s most exciting voices whilst performing in Sydney’s most iconic spaces.

Tickets to Suor Angelica are now available on Harbour City Opera’s website. Premium Seating tickets are $65.00 and Standard Seating $55.00. To purchase tickets or to explore upcoming Harbour City Opera shows, visit www.harbourcityopera.com.au

For all media enquires please contact

Carmenia Orti Tullo at umm..communications

on (02) 8399 0411 or 0406 444 876.

 

Vacancies Wagga Wagga Area

VACANCIES

 

PROJECT ADMINISTRATION OFFICER (CED013)

Remuneration: Min $942.39 gpw + super Enquiries:        Andrea Boux – 02 6926 9213 Closing Date:   Monday, 23 September 2013 @ 5.00pm

 

VEGETATION MANAGEMENT OFFICER x 2 (AS123, AS124)

Remuneration: Minimum $898.79 gpw + super Enquiries:        Carly Hood – 02 6926 9342 Closing Date:   Tuesday, 24 September 2013 @ 5.00pm

 

WORK HEALTH & SAFETY ADVISOR (SCS022)

Remuneration: $85,000 – $102,000 gpa (Inc. Super) Enquiries:        Tanya Jackson – 02 6926 9215 Closing Date:   Friday, 11 October 2013 @ 5.00pm

 

PROPERTY MANAGEMENT COORDINATOR (CED008)

Remuneration: Minimum $1,285.47 gpw + super

Enquiries:        Grant Johnson – 02 6926 9212

Closing Date:   Monday, 7 October 2013 @ 5.00pm

DEAN BRODY unveils new single ‘Bounty’

Last week Dean Brody won Male Artist of the Year at the 2013 Canadian Country Music Awards for the second consecutive year.
He also launched and performed his new single ‘Bounty’ at the awards and announced the release of his new album ‘Crop Circles’, which is released in Australia on November 8, 2013.
Brody has won seven CCMA Awards including back-to-back wins for Album of the Year (‘Trail In Life’ and ‘Dirt’) and now, Male Artist of the Year (2012 and 2013). His third album ‘ Dirt’ reached Gold sales in Canada and he has charted 11 Top #10 singles.
In 2011 and 2012, Dean Brody was named the #1 Most Played Canadian Country Artist at radio and earned two JUNO Award nominations for Album of the Year. Among his accolades, he was named one of HELLO! Canada’s Most Beautiful Canadians in May and wrapped his first headlining tour to sold-out crowds and rave reviews this past winter.
Dean Brody visited Australia to play main-stage at CMC Rocks The Hunter in March, with his single ‘It’s Friday’ one of the most downloaded country tracks in the Australian music market in 2013.

Dancing: The Vertical Expression of a Horizontal Desire…

It’s no surprise that nightclubs are dark places, they foster feelings of lust, sex and love and sometimes, when we dance there, we can go through the stages of fancying, loving, fumbling foreplay, intercourse, climax and post-coital bliss just by making eye contact, and holding it, with someone on the other side of the dance floor. Dancing is, according to George Bernard Shaw, “The vertical expression of a horizontal desire legalized by music”.

There is tons of evidence for this, from the anecdotal to the scientific. Lets start with the science and work our way down. Darwin thought that dance was part of the mate selection process and more recently two groups of researchers (Brown et al., 2005 and Fink et al., 2007) suggest that the way we dance might be influenced by our hormonal and genetic make up, such that we use dance to communicate the quality of our genes to potential mates.

In my own lab I have observed similar findings. I filmed people dancing naturally in a real nightclub and I found that men with high levels of the sex hormone testosterone dance differently to men with low levels of testosterone and, most importantly, women prefer the dancing of high testosterone men. Now, if we couple this with the finding that the female sexual partners of high testosterone men report having more orgasms during sex than the sexual partners of low testosterone men we can see how dancing style is well worth looking at when we are looking for a mate.

What about women? When women are at the more fertile stage of their menstrual cycle they dance differently to when they are at the less fertile stage of their cycle. I have found that men rate the dancing of women who are at the fertile stage of their cycle to be more attractive than the dancing of women who are at the less fertile stage of their menstrual cycle. So what’s so different about the dancing of fertile and less fertile women? It’s all in the hips. At the more fertile stage of their cycle women move their hips more when they are dancing compared with when they are at the less fertile stage. I have used eye tracking devises to see where men look on a woman’s body when she dances and I have found that men spend more time looking at the hips of women who are more fertile than they spend looking at the hips of women who are less fertile. So, the more time men spend looking at a woman’s hips the more attractive they find her!

by Dr Peter Lovatt

 

ALICIA KEYS AND JOHN LEGEND TO SET THE WORLD ON FIRE AT ALLPHONES ARENA!

Allphones Arena is set to become the R ‘n B heart of New South Wales when Grammy Award winning artists, Alicia Keys and John Legend bring their full bands to the venue on their Set the World On Fire tour on Wednesday, 11 December, 2013.

 Alicia Keys has been performing on a global stage since the international spotlight locked onto the then 20-year-old with the 2001 release of her debut album Songs In A Minor. Lead by the massive No. 1 hit single Fallin’, the album debuted at No. 1 on the Billboard charts going on to sell in excess of ten millions copies worldwide and garner five Grammy Awards.

 Keys’ success was further cemented by subsequent album releases The Diary of Alicia Keys, As I Am, The Element of Freedom, Girl on Fire and the hit singles No One, If I Ain’t Got You, You Don’t Know My Name, Empire State of Mind and many more selling more than 1.7 million units in Australia and in excess of 30 million albums worldwide.

Special guest on the tour will be the soulful and sensual, nine-time Grammy Award winner, John Legend.

Since releasing his 2004 debut album, the critically acclaimed Billboard No. 1 Get Lifted, which featured the hit single Ordinary People, singer-songwriter Legend has sold more than 7 million albums worldwide, won 3 Soul Train Awards, the BET Award for Best New Artist and the special Starlight Award from the Songwriters Hall of Fame, in addition to his multiple Grammy wins.  Legend’s highly anticipated fourth studio album, Love In The Future, was released at the end of August and debuted in the Top 5 on the iTunes chart.

Allphones Arena’s General Manager, Guy Ngata, said today “The multi-talented R ‘n B sensation Alicia Keys will make her eagerly awaited return to Allphones Arena in December. The talents of Alicia Keys along with John Legend will make this an R ‘n B masterclass for all true music fans. Don’t miss out!

Be quick to grab your tickets as this spectacular show is sure to sell out fast when tickets go on sale FRIDAY, 20 SEPTEMBER, 2013 at 9.00am.

The Australian Indie Radio Charts Week Ending 16/9/2013

The Australian Indie Radio Charts

Week Ending 16/9/2013WORLD INDEPENDENT1. Wed rather hurt than die – Billy Thompson
2. Pressure – KU
3. sirens – As we speak
4. cant have just a little – Daize Shayne
5. Climate Dance – Keshco
6. Foot Patrol – Flat Foot
7. The verdant mile – Tracy Grammer
8. Return to Me – Frederik Doci
9. Searching – Melodramus
10. Something Ive Always Wanted – Gene-Manuel
JAZZ1. Rumba Buhaina – Jerry Gonzalez and the Fort Apache Band
2. Fanusa – Saro Tribastone
3. Hinei Ma Tov – Eugene Marlow, Arranger
4. Sharing Christmas With Me – Claud Rivers
5. El Solo – Funky Mustard
6. Two Doors – Linda Wood
7. Pull – Alan Ichiyasu
8. Los Bibilikos – Yehonatan Elazar
9. Penelope Catherine Smith – Deborah Ledon
10. Coldweather Blues – The TerryB3 er 4 (Terry Blankley)

DANCE

1. Merci Foly Dirane – Golden Boy (Fospassin)
2. BANANA – Golden Boy (Fospassin)
3. my special girl – philjoseph
4. Lover Boy – DynamicDestony
5. My Head – Jeremy Joshua
6. Transwarp Audio Head Drive – Transwarp
7. Lift Me Up – ellee ven
8. boogie woogie hollywood high – andrew ceglio
9. THAT WAS A GREAT AFFAIR – ANDREW CEGLIO
10. Indian Fever – Benjamin – various

EASY LISTENING

1. walkin on the pier – Paul Thomas Yoder
2. Dear Baby – Richard Frankz
3. Jonathan Seagull – Soniq Theater
4. salida – luna blanca
5. Nyári eső / Summer rain – Jakab Ferenc
6. CALBLANQUE – BANDSMAN
7. Your Soul – Geoffrey Armes
8. Avalon – Soniq Theater
9. Carrickfergus – Kathleen Procter-Moore
10. Doubt – Ken Elkinson

URBAN

1. WE JUST DO IT – Selector
2. The way we ride – Carolina D.O.P.E. Boyz
3. Here They Come – Frank White
4. Be Mine (Remix) – Tommy Brown
5. Downtown – Tommy Brown
6. Cash Flow Remix – Kamal
7. Spitz Flamz (radio edit) – HazMat
8. Coming For You – Kamal
9. Wont stop – D ville
10. 2 MUCH LUV – KEROSHYIN

CHRISTIAN

1. Father I Thank You – Noreen Corkum
2. soul revolution – Tommy Ray O Dell
3. THERES A NEW KID IN TOWN – CAPTAINS CREW
4. It Was Love – Dave & Shirley
5. More Precious Than A Sparrow – Alberta Mullins
6. never forgotten – todd ferguson
7. BECAUSE HE LIVES – TERRY WARREN
8. take my hand, precious lord – Francine Bell
9. MOVE ME – THE SONFLOWERZ
10. Any Day – Kimberley Glover and David Castle

COUNTRY

1. Loving you, loving me – Ernie Oldfield
2. america – wayne shoemake
3. All Tangled Up – Eileen Carey
4. Goodbye Might Not Be The Thing To Do – Will Cox
5. I just Get Leavin – Mary Lee
6. barmaids & barflies – makky kaylor
7. Daddys Little Girl Glen D. Brady – various
8. Old Friend – Don Crouse
9. THE CHEATERS OUT OF TOWN – Marie Willson
10. Insane feel no pain – TJ Murr

TECHNO

1. intraterrestrial – wonderfeel
2. dimension – Mashed Buddha
3. Ultraviolet – liquid zen
4. tech room – sindrome
5. Beer – Trancendental Headache
6. Techno Dreams – Dreamwind
7. Feel My Groove – Keenan
8. monster – ghost in the machine
9. Descent Upon Us – Keenan
10. Runaway – SynchDub

AUSSIE

1. victim of my penis – pornskas
2. Tragic – Gayle Day
3. Astral Traveller – The Genre Benders
4. 9) IN THE NAME OF JESUS – The Rock Hards
5. Entangled – Charlton Hill
6. Be Me Re-Mix – Stephen THE BARD Whitehead
7. Two Wheels – Felicity Urquhart
8. Human highway – The Sam Joole Band
9. Sky at Night – The Bard
10. What It Is – The Woodenelves

REGGAE

1. no better place to live – Criste and gifton Saizi feat Mphatso
2. DanceHall Dub – Jah Thomas
3. I want to know – Golden Boy (Fospassin)
4. Train Station Skit – Niiqqii Li (Nicky Lee)
5. Freaky Friday (Gabriel Black Remix) – BradElectro
6. Uptown Girl – Afro Fiesta
7. Chaptah – Midnite
8. Street people – Jah Moon
9. Mercy – Golden Boy (Fospassin)
10. Ayiti Cheri: House Mix – Ralph Chevry

Wagga Wagga Civic Theatre September School Holiday Fun

Activities for the whole family

Erth’s Dinosaur Petting Zoo

Wednesday 25th and Thursday 26th September – 11am and 1pm
Tickets $15 each – groups of 4 or more $12 each BUY TICKETS

Keyim Ba’s African Caravan
Saturday 28th September
Free drumming workshop – 3pm on the Civic Theatre lawn
Performance – 8pm BUY TICKETS

Looking for more ideas? Check out what is happening during the school holidays.

DEFQON.1 Watch out for those Drug “Pushers”!

defqon

Defqon.1 – 18,000 people attended and they are all those terrible drug addicts you hear about…apparently

Well you’ve probably heard that a bloke died at the Defqon 1 party allegedly from a cocktail of drugs and 84 people got themselves arrested.

All the same grumblers are now grumbling in the same way they have been since the old days of Warehouse Raves in that time-tested “We told you so” way. Of course no one is bothering to mention that the extent of police attention to the event was likely to produce these sort of arrest numbers. No one is mentioning that Alchohol kills more people and causes more havoc than recreational drugs ever do week in week out…tut tut

I am sure if on the same night the police were out in force at any event where young people were letting off steam and having fun they would have averaged about the same numbers of bodies in vehicles. Why if they just visited the average suburban party, proportionally they’d find just the same number of young people taking drugs.

drugdemon

I Popped a pill, danced a lot, snuggled in the corner with a hot guy..what a night..Little did I know that was it: the demon was on my back. I needed more and more and more. A week later I was mainlining heroin and prostituting myself to not hot guys and listening to Death Metal..

There were even 20 overdoses apparently! Little wonder that people gulped all their pills down quickly and unsafely at the sight of barking dogs and mobs of snarling policemen. If there were more than the happy level of overdoses one could perchance blame that on an over the top police presence?? If they really “care” as they suggest, then possibly not turning up ala Gestapo might be more helpful…

Out of 18,000 people enjoying the music the police arrested 84 for possessing or taking drugs. That means around 0.004% were being slightly naughty…lets have a bit of perspective here!

Ok I’m not exactly a big fan of drugs, but I do like Dance Parties and this exact same stigma has been dumped on people enjoying music outside the norm since..oh I don’t know…the late eighties when warehouse parties were the thing (yes kiddies once we could just take over a Warehouse and enjoy the music, no insurance, no police, no barking dogs…).

People took pills then, maybe the same percentage that do now. But it only makes sense that if there’s all us old Ravers still creeping around waxing lyrically about the “good old days” that nothing too harmful was going on. Of course every generation believes it parties harder than those previous, but lets face it we had just as much fun and we’re all still alive and not a generation turned into Zombies by a few recreational party lollies.